The visible world: Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch Golden Age (Amsterdam University Press, 2008)

"How did painters and their public speak about art in Rembrandt’s age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt’s pupils, examines a wide variety of themes from painting practice and theory from
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   T   he    V  isible    W  orl  d Samuel van Hoogstraten’s Art Theory and the Legitimation of Painting in the Dutch Golden Age  THIJS WESTSTEIJN  Amsterdam University Press    The Visible World    The Visible World samuel van hoogstraten’s art theory  and the legitimation of paintingin the Dutch golden age Thijs Weststeijn translated by Beverley Jackson and Lynne Richards  amsterdam university press   The publication o this book has been made possible by: The Netherlands Organisation orScientic Research (NWO); the Prince Bernhard Fund; Stichting Charema, Fonds voorGeschiedenis en Kunst; Dr Hendrik Muller’s Vaderlandsch Fonds; J.E. Jurriaanse Stichting; M.A.O.C. Gravin van Bylandt Stichting; Historians o Netherlandish Art. Cover design: Kok Korpershoek, AmsterdamCover illustration: Samuel van Hoogstraten,  Perspective with a Woman Reading a Letter (Formerly Identied as Margaret Cavendish) , canvas, 242 x 179 cm, Royal Picture Gallery Mauritshuis, TheHague.Lay-out: ProGraci, GoesISBN 978 90 8964 027 7E-ISBN 978 90 4850 789 4NUR 642© Thijs Weststeijn / Amsterdam University Press, 2008 All rights reserved. Without limiting the rights under copyright reserved above, no part o thisbook may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any orm or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission o both the copyright owner and the author o the book.
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