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Biennial Australian Association for Caribbean Studies Conference: Caribbean Meridians - Conference Proceedings for PSA

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The Australian Association for Caribbean Studies conference for 2019 was structured around the theme of ‘Caribbean Meridians’. Presenters to the conference were asked to dwell on the extent to which real and imaginary lines of connection spread from
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  #23 Ð August 2019 Postcolonial Studies Association Newsletter #23 Postcolonialism and Visual Culture !"#$% '()*+%,- (. /#012 31*+4   #23 Ð August 2019 2 Table of Contents EDITORIAL 4   ORIGINAL CONTRIBUTIONS THE MYSTERIOUS CITIES OF GOLD : AN EDUCATIONAL ADVENTURE THROUGH COLONIAL, TRANSNATIONAL, AND POSTCOLONIAL HISTORY AND FICTION BY XAVIER GUƒGAN 7   CHA(LLE)NGING THE WORLD OF STEREOTYPES: THE PROLIFERATION OF POSTCOLONIAL COMICS AND VISUAL NARRATIVES IN INDIA BY PARTHA BHATTACHARJEE AND PRIYANKA TRIPATHI 10   REPETITION-WITH-DIFFERENCE: SUBVERTING ESSENTIAL APORIAS IN POSTCOLONIAL FILM BY REBECCA ANASTASI 13   FROM POSTCOLONIALISM TO DECOLONIAL CRITIQUE? A VISUAL DISCOURSE OF DISSENT FROM FRANCOPHONE AFRICA BY CLAIRE GRIFFITHS 17   EVENTS AND LAUNCHES BIENNIAL AUSTRALIAN ASSOCIATION FOR CARIBBEAN STUDIES CONFERENCE: CARIBBEAN MERIDIANS BY DASHIELL MOORE 23   INTERNATIONAL SHOWCASE 'EXPERIENCING INTERSECTIONALITY: OTHER PERSPECTIVES, OTHER LIVES',VIRTUAL REALITY EXHIBITION THE OTHER DAKAR,  AND ARTIST PROFILE OF KIARA MOHAMED BY DAVID FIRTH 26   NEW VOICES IN POSTCOLONIAL STUDIES BY SOFIA AATKAR AND EMILY KATE TIMMS 31     #23 Ð August 2019 3 BOOK REVIEWS REVIEW OF LAHORE, I AM COMING  BY NAFHESA ALI 34   REVIEW OF NEW DIRECTIONS IN DIASPORA STUDIES: CULTURAL AND LITERARY APPROACHES  BY OUISSAL HARIZE 36   PSA NEWS CALL FOR CONTRIBUTIONS PSA NEWSLETTER !"#$ &'( )*+,-+./*+ /''0-  40   CALL FOR BOOK REVIEWERS PSA NEWSLETTER !"1  41   PSA MEMBERSHIP 43   2018 PSA/ROUTLEDGE PRIZE DRAW WINNERS 45   NOTES 46     #23 Ð August 2019 4 Editorial 5%6'("% +( ()* ,%'(72 ,8%'1#6 1,,)% #, %21+(*, (. +4% !"# %&'()&**&+ 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