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   Copyright by Nicholas Alfred Ciraldo 2006   The Treatise Committee for Nicholas Alfred Ciraldo certifies that this is the approved version of the following treatise: A Comparative Study of the Eschig Editions and the ‘1928 Manuscript’ of Heitor Villa-Lobos’s Twelve Etudes for Guitar Committee: Lorenzo Candelaria, Co-Supervisor Adam Holzman, Co-Supervisor Michael Tusa Roger Myers David Neubert Nicolas Shumway    A Comparative Study of the Eschig Editions and the ‘1928 Manuscript’ of Heitor Villa-Lobos’s Twelve Etudes for Guitar by: Nicholas Alfred Ciraldo, B.M., M.M. Treatise Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May 2006   iv Acknowledgements I first would like to thank my co-advisors, Lorenzo Candelaria and Adam Holzman. Dr. Candelaria’s efforts brilliantly influenced this project. His unfailing professionalism and pragmatic perspective facilitated the various stages of this work’s preparation. Mr. Holzman’s constant support and august musicianship have greatly enhanced my interpretation of the Villa-Lobos guitar studies. His guidance has left a lasting impression on my musical and professional values. I also thank my committee, Michael Tusa, Roger Myers, David Neubert, and Nicolas Shumway, who each facilitated the overall quality of this document, and I very much appreciate their time and effort. I am grateful to Michael DiLiddo, for introducing me to the Villa-Lobos guitar studies, to Ernesto Bitetti, for showing me how to develop my expression of them, and to David Leisner, for inspiring me to create this comparative study of them. I thank my parents for their loving and unwavering support during more than a decade of training. Finally, and with great affection, I thank my wife, Rachel, who helped me immensely on numerous levels during the preparation of this document with her infinite support, patience, and love. May 2006
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