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Images in Stone - A Theory on Interpreting Rock Art.

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Images in Stone - A Theory on Interpreting Rock Art.
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     PREFACE AND ACKNOWLEDGEMBNTS . . . . . . . . . . . . . i Part One: Preliminary Considerations PROBLEMS IN INTERPRETATION . . . . . . . . . . . . . . 12 1. Viewpoints . . . . . . . . . . . . . . . . . . 14 2. Validation . . . . . . . . . . . . . . . . . . 19 3. Mediation . . . . . . . . . . . . . . . . . . 25 4. Conventionalism . . . . . . . . . . . . . . . 29 5. Code . . . . . . . . . . . . . . . . . . . . . 38 6. Conclusion . . . . . . . . . . . . . . . . . . 46 THE ROLE OF ANIMALS AS SYMBOLS . . . . . . . . . . . . 47 1. Viewpoints . . . . . . . . . . . . . . . . . 48 2. Hunter-Gatherer Social Organization . . . . . 53 3. Animals and Territoriality . . . . . . . . . . 58 4. Conclusion . . . . . . . . . . . . . . . . . . 71 Part Two: Some Descriptive Comment DIVIDED TURTLES AND SHAPELESS PEOPLE: The "Natural" and the "Supernatural" . . . . . 74 1. Cultural Categories and Animals . . . . . . 80 2. Humans and Categories . . . . . . . . . . . . 86 3. Summary and Conclusion . . . . . . . . . . . 90 THE "NORMAL" AND THE "ABNORMAL": Changes in State and Non-Changes in Being . . . 95 1. Sexuality . . . . . . . . . . . . . . . . . . 97 2. Fertility . . . . . . . . . . . . . . . . . 107 3. Conclusion . . . . . . . . . . . . . . . . . 113 'FAR' AND 'NEAR', 'HIGH' AND 'LOW': The Social Structural Configuration of Art in Territorial Tribal Societies . . . . . . . . 120 1. A Propos World View: Some Considerations . . 121 2. Dualism in the Tribal World . . . . . . . . 130 3. The Lithic Background . . . . . . . . . . . 137 4. The World View of the Petroglyph Carvers . 140 5. Summary and Conclusion . . . . . . . . . . 148 CONCLUSION . . . . . . . . . . .. . . . . . . . . . 150 NOTES . . . . . . . . . . . . . . . . . . . . . . . 158 REFERENCES . . . . . . . . . . . . . . . . . . . . . 160
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