practice statement for matthews and allen

practice statement for matthews and allen
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    Visual Practice 2010 2011   2012 (2013) 2014 The collaboration between two artists raises questions  relating to our understanding of artistic identity. The (collective) label matthews & allen, et al, suggests the abandonment displacement of individual ‘identity’. and constructs what Ulay and Abramovic refer to as a  third force. This is essentially a third ‘identity’ that is greater than the sum of its parts. matthews and allen’s, et al, practice, formalized in 2008, centres on interaction in the public realm, appropriating contemporary modes of communication that may be perceived as informing (or dictating) our understanding of ‘identity’ ‘meaning’ in a social context. The (performance) ‘identityies’ of matthews & allen, et al, parod   iesy the complexity and autocracy ambiguity of ‘the self/individual’ ‘meaning’ authorial voice within contemporary society culture. matthews & allen intervene physically and intellectually with established cultural codes and practices in order to explore attitudes towards artistic preconceptions and social interaction.
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