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SHURE Beta-mic Brochure

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Folleto de línea Beta, marca Shure
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  The Black Crowes www.blackcrowes.com EXPERT SOUND, IN EVERY DETAIL . BETA Microphones  58A ® 53 87A 54 87C Vocal MicrophoneVocal MicrophoneHeadworn Vocal MicrophoneVocal MicrophoneHeadworn Vocal Microphone VOCAL 50Hz – 16kHz20Hz – 20kHz50Hz – 20kHz50Hz – 20kHz50Hz – 20kHz CARDIOID | CONDENSERSUPERCARDIOID | CONDENSERSUPERCARDIOID | CONDENSERSUPERCARDIOID | DYNAMICOMNIDIRECTIONAL | CONDENSER With its excellent rear rejection, the cardioid polar pattern of the Beta 87C helps to com-pensate for the noise bleed often associated with the use of personal monitors.Built to withstand extreme sound pressure levels, the Beta 87A has a smooth, tailored response for warm, accurate sound and a supercardioid pattern that provides maximum sound isolation.Optimized for lead vocal applications, the Beta 58A features a tight supercardioid pattern that provides maximum sound isola-tion and minimum off-axis tone coloration.Delivers detailed, uncolored vocal reproduction in a nearly invisible, lightweight and fully adjustable design.Ideal for broadcast, theater and other applications requiring uncompromised sound quality and minimal visibility.  Kick Drum MicrophoneSnare+Tom Drum MicrophoneLarge-Diaphragm Side-Address MicrophoneInstrument MicrophoneBoundary Microphone INSTRUMENT & DRUM 20Hz – 10kHz50Hz – 16kHz SUPERCARDIOID | DYNAMICSUPERCARDIOID | CONDENSERCARDIOID | CONDENSERHALF-CARDIOID | CONDENSERSUPERCARDIOID | DYNAMIC Featuring an integrated locking stand adapter, the extremely rugged Beta 52A provides superb attack and “punch” that makes it ideal for kick drums and other low-frequency applications.Specifically tailored for close miking of snares and toms, the Beta 56A features an integrated locking stand adapter and supercardioid pattern that ensures maximum sound isolation. 27 98A/C 52A ® 56A ® 20Hz – 20kHz Precision-engineered with a high output miniature cardioid condenser micro-phone, the Beta 98A/C features a com-pact design for a variety of placements with acoustic or amplified instruments. 20Hz – 20kHz 91A 20Hz – 20kHz Low self-noise and a supercardioid patternthat delivers high gain-before-feedback makes the Beta 27 ideal for critical live and studio applications.Optimized for kick drums and other low frequency applications, the Beta 91A uses a low-profile boundary microphone with an integrated XLR preamplifier tailored for a strong low-frequency response.  Miniature Drum MicrophoneDrum MicrophoneInstrument MicrophoneInstrument MicrophoneSide-Address Microphone 20Hz – 20kHz50Hz – 16kHz CARDIOID | CONDENSERSUPERCARDIOID | DYNAMICCARDIOID | CONDENSERCARDIOID | CONDENSER Built for brass, woodwind and percussion instruments, the Beta 98H/C uses a minia-ture cardioid condenser microphone with a flexible gooseneck mount that clamps directly to the bell or rim for precise positioning. 98AD/C  98H/C 57A ® 181 98AMP 20Hz – 20kHz20Hz – 20kHz20Hz – 20kHz Featuring an ultra compact, small diaphragm side-address condenser microphone with multiple polar pattern capsule options, the Beta 181 enables discreet placement and versatility in tight conditions.Built for toms, snares and percussion instruments, the Beta 98AD/C uses a miniature cardioid condenser microphone with a flexible gooseneck mount for accurate placement in any configuration.Combining an integrated XLR pre-amplifier with a miniature cardioid condenser microphone, the Beta 98AMP offers a flexible gooseneck for accurate placement in any configuration.A tight supercardioid polar pattern allows the Beta 57A to provide high gain-before- feedback and maximum sound isolation, with minimum off-axis tone coloration for amplified or acoustic instruments. CONDENSER
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