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CV. September 2019 (2)
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  1 R  obert K  ILROY   robert.kilroy@psuad.ac.ae; rkilroy@tcd.ie  https://psuad.academia.edu/RobertKilroy  +971565966354 Current Position Sorbonne Université Abu Dhabi. Lecturer, Department of Applied Foreign Languages & Department of Archeology and History of  Art. Sept. 2017-Present. E DUCATION 2009-2016: Ph.D.  under the supervision of Professor David Scott, Department of French, Trinity College Dublin.  Title: “ Marcel Duchamp: Resolving the Word/Image Problematic, afterthought. ”  Defended November 16 th  2016. Jury: Dr. Hannes Opelz, Assistant Professor of French, Trinity College Dublin, Prof. Rex Butler, Professor of Art History & Theory, Monash University. 2007-2008:  M.Phil. Textual & Visual Studies: 19th and 20th century France (Distinction).  Department of French, Trinity College Dublin. Département d'Histoire de l'Art et de l'Archéologie, Université Paris X-Nanterre. Département de Sciences des Textes et Documents, Université Paris Diderot, Paris  VII. L'Ecole du Louvre.  Thesis: “ Renvoi Mirorique  : Re-Contextualizing the Lacanian Real through the Duchampian Gesture. ”  Supervisor: Professor David Scott (TCD). Coordinators: Fabrice Flahutez, Ségolène Le Men (Paris X), Anne-Marie Christin (Paris VII). 2002-2006 : B.A. International (Hons.) . Art History & French Studies, University College Dublin. 2004-2005 :  EU Erasmus Student Exchange Program  , Université Lumière (Lyon II). 1996-2002: Leaving Certificate  , Garbally College, Ballinasloe, Co. Galway, Ireland.   R  ESEARCH R  ESEARCH & TEACHING INTERESTS  Art History, Aesthetics & Visual Studies  : Visual & Digital Culture, Marcel Duchamp, Modern and Contemporary art, Western and non-Western Aesthetics, Methodologies & Historiography. Text & Image Studies  : Pictorial turn, word/image problematic, Iconology (Erwin Panofksy),  Anthropology of images, icon/gaze/vision. Critical Theory & Philosophy  : Ideology Critique (Slavoj Žižek), Psychoanalysis (Freud, Lacan  ), Philosophy of Art (Hegel, Kant), Dialectical Materialism (Marx).  2 P UBLICATIONS Books 2017:  Marcel Duchamp’s Fountain: One Hundred Years Later  . London: Palgrave Macmillan.  Book chapters 2016: “ Re- Framing the Real: Duchamp’s Readymade as a Lacanian Object.”   Preservation, Radicalism and the Avant-Garde Canon  . London: Palgrave Macmillan. Peer reviewed articles 2019: “  Theatre of Shadows: Saving, Critiquing, Psychoanalyzing Žižek.”  The International Journal of Žižek Studies  . Special Edition: ‘What Went Wrong With Žižek?’  Vol 13, No 2. 2019: “  The ‘ New  ’  Beckett and the Word/Image Parallax: An Infra  -Disciplinary Short-Circuit. ”   Sillages Critiques  , Voix Anglophones: Littérature Et Esthétique Research Center, Paris Sorbonne University Doctoral School IV (EA 4085) (forthcoming). 2017: “ Lacan with Lacoue-Labarthe and Nancy: From Modernist Myths to Modernism as Myth. ”   L'Esprit Créateur. ‘   Modernité du mythe, à partir de Philippe Lacoue-Labarthe  . ’  Edited by Daniel Brewer and Mária Minich Brewer. Volume 57, Number 4, John Hopkins University Press, pp. 160-173. 2016: “Duchamp with Lacan through Žižek.”   Tout-fait: The Marcel Duchamp Studies Online Journal  . 2016: “  Towards a Copernician Revolution: ‘Žižek!’   as Symptom, Žižek as Symptom, Žižek’s Symptom. ”   The International Journal of Žižek Studies  , Vol. 10, No 3. 2016: “The Sublime Object of Iconology: Duchampian Appellation as Žižekian Interpellation.”   Seachange: Art, Communication, Technology  , Issue 6. 2015: “ Facebook: The Central Place of the Lacanian Clinic. ”   Lacunae. APPI International Journal for Lacanian Psychoanalysis  , Vol. 4, Issue 11, pp. 165  –   186. 2015: “ Manet's Selfie and the Baudelairean Parallax. ”   The DS Project: Image, Text, Space/Place, 1830- 2015  . Sinéad Furlong-Clancy (ed.), 2015. http://thedsproject.com. 2014: “  The Return of the Master: Re- actualizing Žižek to Lacan’s Iconological Core.”   Lacunae. APPI International Journal for Lacanian Psychoanalysis  , Vol. 3, Issue 2, pp. 40  –   58.  Works in progress The Story of Art in the 21 st   Century: Images & Pictures in the “  Post-Truth  ”   Age. Žižek’s Shadow: Iconology, Ideology and the Dawn of the Digital Subject  . The Beauty of Engineering. Engineering Beauty: An infra-disciplinary encounter between Art and Science.  3 CONFERENCE PRESENTATIONS 2019: « L’argumentation, l’esthétique et les réseaux sociaux . »  Argumentation and Society : For a Constructive Dialogue, Communication without Violence  . Sorbonne Université Abu Dhabi, Feb. 12-13. 2018: “Putting Žižek on the Couch . ”  [International Conference]. 4 th    Biennial International Žižek Studies Conference  , Athens, Georgia, USA, May 18-20. 2018: “‘  When All That Takes Place Is the Place Itself  ’ : Tracing the Word/Image Parallax from Godot to Gatsby. ”  [International Conference]  Annual VALE Conference (Voix Anglophones, Littérature et Esthétique) ,   Sorbonne Université (Paris IV), October 4-6. 2017: “ Lacan with Lacoue-Labarthe and Nancy: From Modernist Myths to Modernism as Myth. ”  [International Conference].  Modernité du Myth à partir de Philippe Lacoue-Labarthe  , Trinity Long Room Hub, Trinity College Dublin, May 4-5. 2013: “ Psychoanalysis and Art History: From Parallelism to Parallax. ”  [International workshop].  Art History and Psychoanalysis Workshop , Centre for Psychoanalytic Studies, School of Philosophy and Art History, University of Essex; History of Art Department, University College London,  June 8. 2013: “ Identity Formation as an Ideology of Form. ”  [International Postgraduate Conference].  Identities in Flux: Conflict, Construction, the Self and the Other  . School of Languages Literatures and Cultural Studies, Trinity College Dublin, May 30. 2011: “  Art History and Psychoanalysis: The Other Side of an Affected Discourse. ”  [International Summer School].   ‘Comparing in the Humanities’  . University College Cork, Sept. 5-9. 2011: “ Facebook: Inscribing Self in Other, Word in Image. ”  [International Conference]. Technologies of the Self: New Departures in Self-Inscription  , University College Cork, September 2-3. 2011: “ Beckett and Psychoanalysis: Verbalizing the Beyonds of Vision. ”  [International Conference  ]. 13th Annual Conference of the Association des Etudes Françaises et Francophone d’Irlande (ADEFFI) , University College Cork, April 2. 2011: “ Re- Staging the Void: Duchamp’s Readymade as a Lacanian Object . ”  [International Postgraduate Conference]. Forgotten Voices of the Avant-Garde  , ’  University of Leeds, January 21. 2010: « La Condition Artistique du Champ Psychanalytique. » [International Conference]. 12th  Annual Conference of the Association des Etudes Francaises et Francophone d’Irlande (ADEFFI) , Trinity College Dublin, April 10. RESEARCH SEMINARS 2019 : “  Abstraction and the Universal Museum. ”  [Round Table]. Recognizing Abstraction: Across, Between, Within Spaces  , Sorbonne Université Abu Dhabi, Feb. 6. 2018 : « Autour de Marcel Duchamp. »  Majlis Littéraire  , Sorbonne Université Abu Dhabi, Jan. 26.  4 2012: “ Reactivating the Humanities: Thoughts on a Revolution. ”  [Postgraduate Research Seminar]. The Future of the Humanities  , Faculty of Arts, Humanities and Social Studies, Trinity College Dublin, April 30. 2012: “M arcel Duchamp: A Parallax View. ”   Trinity French Research Seminar (TFRS) , Trinity College Dublin, March 10. 2011: “ Beckett and Art: A Lacanian Re-Reading of  En Attendant Godot  . ”   Trinity French Research Seminar (TFRS) , Trinity College Dublin, March 8. 2011: “  The Object of Desire in Philosophy and Art. ”   Symposium on Desire  , English and Philosophy Research Seminar, Department of English, Trinity College Dublin & Department of Philosophy, University College Dublin, January 22. 2010: “  An Impossible Encounter? Jacques Lacan in terms of Marcel Duchamp. ”   Trinity French Research Seminar (TFRS) , Trinity College Dublin, March 9. SEMINARS & CONFERENCES ORGANISED 2020: “  Abstraction: Transcribed, Transgressed, Digitalized. ”  International Art History Conference and workshop organized in collaboration with New York University Abu Dhabi and Louvre  Abu Dhabi. Event to be held at New York University Abu Dhabi, March 2020. 2020: “  The Beauty of Engineering, Engineering Beauty. ” Inter/Infra-disciplinary Research Seminar organized in collaboration with the Department of Archeology and History of Art, the Department of Science and Engineering, Sorbonne Université Abu Dhabi and the Department of Biomedical Engineering, Khalifa University. Event to be held at Sorbonne Université Abu Dhabi, Oct. 2020. 2019: “R  ecognizing Abstraction: Across, Between, Within Spaces. ”  Chaired and contributed to panel discussion organized in collaboration with the Department of Archeology and History of Art, Sorbonne Université Abu Dhabi. Panel consisted of contributors from New York University Abu Dhabi, Louvre Abu Dhabi, Jean-Paul Najar Foundation Dubai. Sorbonne Université Abu Dhabi Feb. 6. 2017: Organized seminar entitled “ Brexit et L’Union Européen: Conséquences et Défis”  given by Paul Kavanagh, Irish Ambassador to the U.A.E in association with the Department of Applied Foreign Languages, Sorbonne Université, Abu Dhabi, April 29.  ADDITIONAL PUBLICATIONS & APPEARANCES ▪   “ Building New Bridges in Education. ”   GCC Education Guide  , Feb. 2019, pp. 32-34: ”  https://issuu.com/umsinternational/docs/gcc_education_handbook_feb_2019  ▪   “ Lugha; La Langue; Language. ”    Education UAE Magazine  , Issue 3, Sept. 2019, p. 44-45 : https://www.education-uae.com/lugha-la-langue-language/  ▪   “  A Urinal or a Masterpiece? ”  In interview with Camille Hogg,  Abu Dhabi Weekly  , Aug. 16, 2018: http://www.adwonline.ae/urinal-masterpiece-know-author-really-thinks/   5  AFFILIATIONS, FELLOWSHIPS & AWARDS ▪   Research Associate Member of the VALE Research Centre (EA 4085), Sorbonne Université Paris (Paris IV). ▪   Reviewer for Source  :  Notes in the History of Art   (University of Chicago Press) & Language and Psychoanalysis  . ▪    A.J. Leventhal Research Scholarship for European research in Modern Languages and Literature. Faculty of Arts, Humanities and Social Studies, Trinity College Dublin (twice recipient). ▪   Irish Research Council for the Humanities and Social Science Doctoral Research Scholarship (3 years). PROFESSIONAL EXPERIENCE  THIRD-LEVEL TEACHING Sorbonne Université Abu Dhabi 2017-Present   Department of Archeology and History of Art  Art History Lecturer MA. History of Art and Museum Studies (in partnership with L'Ecole du Louvre) 3 courses taught:  Modern and Contemporary Art; Art History in the Age of Globalization; Visual Studies: Aesthetics and Historiography Department of Applied Foreign Languages English Lecturer BA1. British Civilization; Written Expression and Reading Comprehension; Grammar   BA2. Written Expression and Reading Comprehension; Translation (Fre-Eng) BA3. Written Expression and Reading Comprehension; Translation (Fre-Eng); Langue de Spécialité BA. 1-3 (Language Options)  Advanced Business English BA. 1-3 (Language Options) Infra-Disciplinary Encounters: English for Literature, Art, Philosophy. MA. International Business and Languages. 3 courses taught:  English for Management; Business Communication  Trinity College Dublin  2010-2013 Department of French, School of Languages, Literatures and Cultural Studies.    Associate Lecturer BA1. 19 th  & 20 th  Century French Literature. 2 lectures delivered: Beckett, Language & Art: The Textual and the Visual in   En Attendant Godot; ‘Godot’ and ‘Art’: A Beckettian Reading of Yasmina Reza’s  Art .  Teaching Assistant BA 1. French Language: Grammar & Grammatical Analysis; French Language: Oral & Contemporary France   BA 2. French Language: Composition & Written Expression; French Literature: 16  th   & 17  th   Century
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