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Ygdrasil Vol 3 No. 4 - April 1995 - Special Igal Koshevoy issue

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* INTRODUCTION + Welcome and technical foreword + Unravelings -- introductory poem * Poems + faceless -- featuring clay sculpture "Pan" + last shot -- featuring pen drawing "Fuzzy" + abyss -- featuring CAD drawing
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    ╔════════ April 1995 ════════════════════════════ Volume 3, Number 4 ════════╗   ║ ║   ║ ║   ║ ║   ║ ║   ║ ║   ║ █▀█ █▀█ █▀▀▀▀▀▀█ █▀▀▀▀▀▀█ █▀▀▀▀▀▀█ █▀▀▀▀▀▀█ █▀▀▀▀▀█ █▀▀▀█ █▀█ ║   ║ █ █ █ █ █ █▀▀▀▀▀ ▀█ █▀█ █ █ █▀▀█ █ █ █▀▀█ █ █ █▀▀▀▀ ▀█ █▀ █ █ ║   ║ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ ║   ║ █ █ █ █ █ █ █ █ █ █ █ █ █   █ █ █ █ █ █ █ █ █ █ █ ║   ║ █ ▀▀▀ █ █ █ █▀▀█ █ █ █ █ █ ▀▀▀▀ █ █ ▀▀▀▀ █ █ ▀▀▀▀█ █ █ █ █ ║   ║ ▀▀▀▀█ █ █ █ ▀█ █ █ █ █ █ █ █▀█ █▀ █ █▀▀█ █ ▀▀▀▀█ █ █ █ █ █ ║   ║ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ ║   ║ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ ║   ║ █▀▀▀▀ █ █ ▀▀▀▀ █ █▀ ▀▀▀ █ █ █ █ ▀█ █ █ █ █ █▀▀▀▀ █ █▀ ▀█ █ ▀▀▀▀█ ║   ║ ▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀ ▀▀▀ ▀▀▀▀ ▀▀▀ ▀▀▀ ▀▀▀▀▀▀▀ ▀▀▀▀▀ ▀▀▀▀▀▀▀   ║   ║ ║   ║ ║   ║ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ║   ║ ║   ║ ║   ║ ║   ║ ║   ║ ║   ║ ╓──┐ ─┬─ ╓──┐ ╥ ┬ ╥──┐ ╓─╖ ┬ ╓──┐ ╥─ ╓──┐ ╥──┐ ║   ║ ╟──┤ │ ║ │ ║ │ ╟─┬┘   ║ ║ │ ╟──┤ ║ ║ │ ╟─ ║   ║ ╨ ┴ ╙─┘ ╙──┘ ╙──┘ ╨ ┴─ ╨ ╙─┘ ╨ ┴ ╨──┘ ╙──┘ ╨ ║   ║ ║   ║ ╓─╥─┐ ╥ ┬ ╥──┐ ╥──┐ ╓──┐ ╥──┐ ╓─╥─┐ ─╥─ ╓──┐ ╓──┐ ╥──┐ ╓─╥─┐ ╓──┐ ║   ║ ║ ╟──┤ ╟─ ╟──┘ ║ │ ╟─ ║ ║ ║ ╟──┤ ╟─┬┘ ║ ╙──┐ ║   ║ ╨ ╨ ┴ ╨──┘ ╨ ╙──┘ ╨──┘ ╨ ─╨─ ╙──┘ ╨ ┴ ╨ ┴─ ╨ ╙──┘ ║   ║ ║   ║ ║   ║ Guest Editor: Igal Koshevoy ║   ║ ║   ║ ║   ║ Editor: Klaus J. Gerken ║   ║ Production Editor: Igal Koshevoy ║   ║ Associate Editors: Paul Lauda ║   ║ : Pedro Sena ║   ║ : Gay Bost ║   ║ European Editor: Milan Georges Djordjevitch ║   ║ Contributing Editor: Martin Zurla ║   ║ ║   ║ ║   ║ ║   ║ ║   ║ ║   ╚════════════════════════════════════════════════════════════════════════════╝         ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄   ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀   ╓─╥─╖ ╓─╖ ╥─╖ ╥ ╓── ╓─╖ ╓── ╓─╖ ╓─╖ ╓─╖ ╓─╥─╖ ╓── ╓─╖ ╓─╥─╖ ╓─╖   ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║   ║ ╟─╢ ╟─╢ ║ ╟─ ║ ║ ╟─ ║ ║ ║ ║ ║ ║ ╟─ ║ ║ ║ ╙─╖   ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║   ╨ ╜ ╙ ╨─╜ ╙── ╙── ╙─╜ ╨ ╙─╜ ╙─╜ ╨ ╙ ╨ ╙── ╨ ╙ ╨ ╙─╜   ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄   ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀  * INTRODUCTION + Welcome and technical foreword + Unravelings -- introductory poem * Poems + faceless -- featuring clay sculpture "Pan" + last shot -- featuring pen drawing "Fuzzy" + abyss -- featuring CAD drawing "Abyss" + DEATH SONG II -- featuring acrylic painting "OMC" + shitterd -- featuring CAD drawing "Wratheon" + pity's bloom -- featuring painting "Stiff Patience" + divulged infestations -- featuring metal sculpture "Fork, I" + Model ... under plexiglass -- featuring pencil drawing "a ballerina's world through a blinded audience's eyes" + parting momentum + an age of digital medicine -- featuring pastel drawing "Bastronaut" * POST SCRIPTUM + careless end of ... something...? -- featuring pencil drawing "Avenue of Escape"    ▀█▀   █▀█   █ ▀▀█▀▀ █▀▀█ █▀▀█ ▀█▀▀█ █ █ █▀▀▀ ▀▀█▀▀ ▀█▀ █▀▀█ █▀█ █   █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █   █ █ █ █ █ █▀█▀ █ █ █ █ █ █ █ █ █ █ █ █ █ █   █ █ █ █ █ █ █ █ █ █ █ █ █ █ █ █   █ █ █ █ █   ▀▀▀   ▀   ▀▀▀   ▀   ▀   ▀▀   ▀▀▀▀   ▀▀▀▀▀   ▀▀▀▀   ▀▀▀▀   ▀   ▀▀▀   ▀▀▀▀   ▀   ▀▀▀   ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀  Welcome to a special issue that welcomes Ygdrasil's upcoming second Birthday. It's hard to imagine that it's been this long, and that we've come this far - but it's all been worth it. There's no regrets - only gratitude. I'd like to thank some friends who've made this wonderful experience possible for me: Klaus Gerken, for his brave spirit and unstoppable enthusiasm; Paul Lauda, for almost going to the poor house by doing his thing to improve the world; Evan Light, for energetic activism; Pedro Sena, for vision, truth and dreams; Tom Almy, for quiet and dutiful service to others; all those that fought for dignified and worthy causes; and all those we've lost along the way. This issue steps forward into a realm of art that's just as poetic, though much less wordy - throughout the issue there's intertwined poems, pictures, sculptures and grafix. So if you're not seeing the Web version, you're missing most of the show; and if you're just seeing the pictures, then that's barely second-best. If you didn't get the pictures or aren't reading this on the Web, well, I gently say that most of this issue's efforts were for that. This is all about hushed voices and images.... The Web version is at "http://www.ee.pdx.edu/~igal/ygdrasil/y-9504". To get full viewing satisfaction, you'll need to get a HTML level 3 browser and JPEG & GIF graphics viewers to see the pictures - your best bet is to get Netscape 1.1 (ftp://ftp.mcom.com) which does both. Enjoy and spread the word. And now let's start.... -Igal Koshevoy URGENT NOTICE TO CENTIPEDE BOARDS: Paul Lauda's Revisions Systems had a tragic disk crash and may take a while to become operational again. Tom Almy's Bitter Butter Better BBS has been officially announced as the temporary hub of operations. To continue your Centipede service, please send netmail to Tom Almy at 1:105/290 or dial up BITTER BUTTER BBS at 1-503-620-0307 and leave a message. ════════════════════════════════════════════════════════════════════════════   ▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒   ════════════════════════════════════════════════════════════════════════════     Unravelings ~~~~~~~~~~~ Cobwebs in musty closets, filled with things that weren't there. A quiet drape of disappointment, maybe not too far from truth. Currents seem like the only movement; close the window, kill the lights. Hazy imperfection; outlines, shadows ... patient things. Motion is measured by a framed perspective. Distances traveled; vistas past. Sometimes seems like we're actually moving ... but it's always just the earth beneath us - washing by. Drive through every city and you're seeing the same thing, every channel playing the same dry song. Flat dullness, rolling across an absent void. We are our world. It's not surprising. And the time flies past; there's no reason to look at the watch ... we know what it's saying. -Igal Koshevoy (TR) March 26, 1995; 2:07am ════════════════════════════════════════════════════════════════════════════   ▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒   ════════════════════════════════════════════════════════════════════════════  

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Oct 13, 2019
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