Calendars

A European View on Ruins in Naples and Messina during the 17th and 18th Centuries

Description
An analysis of iconography and a critical reading of sources allow to add new observations on the representation of cities in territories affected by the 1783 earthquake. The contribution aims to illustrate a slow cultural mutation and the symbolic,
Categories
Published
of 40
All materials on our website are shared by users. If you have any questions about copyright issues, please report us to resolve them. We are always happy to assist you.
Related Documents
Share
Transcript
  ArcHistoR anno V (2018) n. 9 DOI: 10.14633/AHR065ISSN 2384-8898AHR V (2018) n. 9 Massimo Visone massimo.visone@unina.it A European View on Ruins in Naples and Messina during the 17 th and 18 th  Centuries  An anayss of conography and a crca readng of sources aow o add new observaons on he represenaon of ces n errores aeced by he 1783 earhquake. The conrbuon ams o usrae a sow cuura muaon and he symboc,  igurave meanngs of hs phenomenon. The phosophy of caasrophe pus he hen prevang opmsm of reason no crss and desroys he convcon ha he presen may be he bes of a possbe words. The Kngdom of Napes was one of he proagonss of ha dynamsm ha pushed men o expore unusua errores aong he Grand Tour roue wh he nen of acqurng new scenic oos of anayss. Souhern Iay s a unque case n Europe due o he number of earhquakes durng he modern age. In parcuar, he capa cy, Napes, and Scy were h severa mes by earhquakes of varyng nensy over a perod from 1688 o 1783; ha cenury was a fundamena  passage n he hsory of earhquakes.  6969 Uno sguardo dell’Europa sulle rovine a Napoli e Messina tra XVII e XVIII secolo Massimo Visone N    F P   G C,     ’ ,              N  25  1343,     à,        . I ,  ’  mone Venoso         1 ,      ,  à  ’        : «A   ,                         :  , ,  ,   ,   […]. S              ’;          ,       . O  ,   ,   ! O   ,    ,    ! O   . [...] C   ì     ,      ,             à,  ù    ù       […],    ,      ,   . D ! Q  ! [...] A                         ’ ’, ì      ,      ,        ’  (   V)        ,        :  à  ’     ,        » 2 . 1. Petrarca 1996; Tosco 2011.2. Rillo 1904, . 92-95.  70 A  ,     ,   à    ,       . G              ,            ù . L                   ,        . M          è      à     ,   ,         3 . N S     . L’               . Q         e  ,                ,       ,    ù  ’  4 . L’ ’      ,    ù  ,          à  R  N     XVIII  XIX . Reaà e meafora N S,  à    à   ’      ,  ’          T è      . S      ,    è    ,       ’  ,       ,           ,   ù     connosseurs 5 . Nel Grand Tour  ,     ,  à,    ’      ,          ù  ,       ,   . A       ,    ,     à     ’à   3. S’     I      E G,      Guidoboni, Ebel 2009. V  Nevola 2015.4. V Kozak, Thompson 1991; Figliuolo 1992; Quenet 2005.5. S Grand Tour  ,  ’ ,      De Seta 1996; Bertrand 2004 a ; Bertrand 2009;   De   Seta 2011.  Uno sguardo dell’Europa sulle rovine a Napoli e Messina tra XVII e XVIII secolo 71  ’,   ,    . L  à  è ù   ,      ù       ,     de vsu    ,        ,       .L’  à  è                ’ 6 . N           souvenrs ,       ,           ’,     ù            .U          ,     à  XVIII    ’XIX ,     :     7 . O         ,  , ,      ,       ,     ,     , ,    ’,       ’   à.I          à  ù    ,     ,   ,     V,   . I, «     ’  ê,         j  ,   ’   ,         ,      ’  ’ » 8 . I  ,        ,    ’                 . E      L  1755  « à ’     ’   ,     j     » 9 . L à       ’I. V, R  K              , D  ’ ,       ù       10 . 6. V Galtarossa, Genovese 2015; Benucci e a.  2016. 7. Tagliapietra 2016, . 21-24. 8. Bertrand 2005, . 7. V  Palmieri 2013. 9. Besterman 1956, . 10.10. Tagliapietra 2004.  72«L ,     un  ,   ,        que’ordne  insieme       ,    à. […]       L         ,     ’ anche              ’,   dsegno dvno ,        ’,  . S , ,   ’  ’è,  non è conoscbe ,   ,  c’è ,  è . L          ’  à     ’     ,   ’     ’» 11 . Conservazone e modernà ra due erremo: 1688-1783 I R  N è                  Grand Tour    ’    ,          . I, ’I       E                . T XVII  XVIII ,     ù        à:     1688 –    S,  B  C S –    à  1694   1702,  ’    1732 , ,   1783,      à.U      N    à,             12 . I   5   1688       . È , ,        ,   ’è     ì  ’    , ,         à    13 . C è    C C             «     ù     » 14 . L   S R  D,  ,  11. Tagliapietra 2016, . 17.12. V Parrino 1688; Magnati 1688; Sarnelli 1688; Sportelli 1688; Barra 1688; Vera, e dsna reaone de’horbe e spavenoso erremoo  1688; Vera, e dsna reazone de’orrbe, e spavenoso erremoo  1688  ; Vera e dsna reaone deo spavenoso erremoo  1688; Taylor 1688; Reaon vérabe de ce qu es arrvé à Napes  1688. S    à   XVII   Cecere 2017 a. 13. S  Cantabene 2003-2004. Pù    Nappi 1981. S  ù ,    Motta 1887; Figliuolo 1988; Arthur 1989.14. Celano 1692, Gornaa Terza , . 107.
Search
Tags
Related Search
We Need Your Support
Thank you for visiting our website and your interest in our free products and services. We are nonprofit website to share and download documents. To the running of this website, we need your help to support us.

Thanks to everyone for your continued support.

No, Thanks